The Audi and the Alien

The Moonrover Audi Lunar Quattro celebrates its film debut in Ridley Scott’s sci-fi blockbuster “Alien: Covenant” this week, ahead of its impending mission to the Moon next year.

The Audi lunar Quattro has been developed in cooperation with Berlin-based start-up Part-Time Scientists. Over the past two years, the automobile manufacturer has worked with a team led by Robert Böhme – founder and CEO of Part-Time Scientists – in developing the rover, by supplying all-wheel drive technology, expertise in lightweight construction, experience in developing vehicles with electric and plug-in hybrid motors (e-tron), and with design optimization.

Director Ridley Scott has integrated the Audi lunar quattro into “Alien: Covenant,“ the latest instalment of his ground-breaking “Alien” franchise. In its film debut, the rover is an integral part of the Covenant mission; deployed to help navigate and assess the challenging, unknown terrain of a new planet.

Incorporating the Audi lunar quattro into the film is part of a collaboration between Twentieth Century Fox and Audi – allowing filmmakers to incorporate authentic, leading-edge technology into their futuristic worlds. As part of the collaboration, a short film was also created by Twentieth Century Fox, 3AM and Audi. Captured on one of the movie’s biggest sets, it depicts the rover patrolling the Terraforming Bay when it detects an unidentified lifeform and goes to investigate what lurks in the dark. 

Watch “Alien: Covenant x Audi lunar quattro” here: http://youtu.be/5fEmCnSt gac

Check out the Audi Rover in some new footage from ‘Alien: Covenant’ via the link below:


 Additional information:

The Audi lunar quattro is 85% aluminium
The majority of its components have been produced using a 3D printing method at Audi’s headquarters in Ingolstadt

High-strength lightweight construction has resulted in developers reducing the weight of the exploration vehicle by 23% to just 30kgs

A 60-degree pivoting 100W solar panel supplies the rover with energy and powers its efficient e-tron motor

For more on the story of the Audi lunar quattro’s origins visit http://www.audi.com/mission

Jonathan McEvoy 

Pride and Prejudice and Zombies (2016)

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We can thank writer Seth Grahame-Smith for mashing up Jane Austen’s classic ‘Pride and Prejudice’ with the undead. It’s something that shouldn’t really work, as it’s two wildly different ideas being melded together. That said, it does work, and work quite well.

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The story really is just the standard tale of love between Elizabeth and Mr. Darcy, with hordes of the shuffling undead thrown in. Lily James is fantastic as Elizabeth, really getting into the fights, with the dashing Sam Riley playing Mr. Darcy, fighting by her side. Director Burr Steers said that most people couldn’t really figure out how to film the movie as they weren’t sure what direction to take it in. Burr Steers said he took the job because he was just going to film it like he would if it didn’t have zombies in it. Everyone plays it so straight and it makes it a very funny movie because of it.

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The gore is not bad, not as gory as I was expecting, considering we have flesh eating zombies on the prowl. The fight choreography is very well put together, and everybody seems to be throwing themselves into their roles. The supporting cast of Lena Headey, Charles Dance, Jack Huston and even Doctor Who actor Matt Smith are all cast brilliantly in their respective roles.

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The film does lag in the third act, which I was a little disappointed about, as that is exactly when it should be firing on all cylinders. The movie is released on Blu Ray and DVD on 27th June.

3/5

JM

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Angel (1982)


Danny is a saxophonist with a jobbing band that play in various cheap locations. One late night after a gig he goes outside the venue to get some air and speak to a girl that has taken a shine to him. Shortly after he witnesses the murder of his band manager and an innocent girl in the wrong place at the wrong time. The violence he witnesses sends Danny on a quest for revenge, which will change his life forever. 


Swapping a saxophone for a machine gun, Danny works his way through terrorists that had a hand in the murder of his manager and the destruction that followed. At the same time he tries to keep some semblance of normality in his life, and continues playing with the band and trying to form a meaningful relationship with the lead singer, Dee. However Danny’s journey is fraught with peril and threatens to ruin the relationship he has with his band, plus fail to give him the closure he so desperately seeks. 


Moody and dripping with atmoshphere, this was Neil Jordan’s first directing gig and contains themes (troubles in Northern Ireland) that would echo through his following movies. Stephen Rea is brilliant as Danny, fumbling his way through his quest in seeking retribution for the deaths he has witnessed. The police follow and question Danny, but their motives are vague to say the least. You’re never quite sure just what they are trying to achieve and Danny usually finds himself arousing no suspicion whatsoever. The film leaves you with the feeling that revenge is a fruitless endeavour no matter how you go about it. Some things just have a way of going their own way, no matter your efforts to change the outcome.


The acting is great from everyone involved, and the movie displays a dreamlike quality at times, with the music from Danny’s saxophone playing in the background. It’s one I recommend, though it isn’t the bloody revenge type thriller you may be expecting. 

4/5

JM

Manhattan Baby (1982)


When an archaeologist, Dr. George Hacker (Christopher Connelly) opens a tomb in Egypt, he unleashes an evil spirit which latches onto his young daughter. Upon the family’s arrival in New York, a series of grisly murders and strange occurrences begin to take place. 

An amulet which is give to the young girl may hold the secret to the identity of the spirit and how the family can free themselves from its clutches. This is certainly a strange movie, and it looks very dated. The effects are certainly ropey in places, which I believe was down to the production company not getting all of the budget they requested. 


Lucio Fulci had a good few movies out during the 80’s and a lot of them are cult classics like The Beyond, The New York Ripper and Zombie Flesh Eaters to name but a few. Sadly this is not up there with his greatest hits. That’s not to say it isn’t entertaining, because it is, but it’s just not as memorable. It’s nice to see Lucio Fulci use proper locations to tell the story, rather than wooden sets, and the cast give 100% in every scene.   

There is some decent gore on offer, one place where Fulci has always delivered in my humble opinion. I did notice that it stars that annoying blonde kid from Fulci’s other great horror ‘The House by the Cemetery’, and he has an encounter with some scorpions which was hilarious to watch. There is a lot to like about these Italian horrors though. I love the dodgy dubbing over each actors original voice, and the hammy acting on display always makes things fun to watch. The effects are fun too, like the dodgy stuffed birds dangling on wires. 


Manhattan Baby is certainly worth a watch for fans of Lucio Fulci’s work, but it’s sure to divide those that love his other movies. Manhattan Baby is available now on DVD from the fine folks over at Shameless Screen Entertainment:

http://www.shameless-films.com/shop/Manhattan-Baby.html

3/5

JM

Follow The Money (TV Series) (2016)

  
Alexander Sødergren (Nikolaj Lie Kaas) is a ruthless business man who works for a Danish company called Energreen. He has plans to corner the energy market, and believes wind farms are the future. When a dead body is pulled from the sea in which a wind farm is situated, a detective called Mads Justesen (Thomas Bo Larsen) believes that the shady Energreen had something to do with it. 

  
One thing I’ve noticed about these Scandinavian crime dramas is that it nearly always starts with dead body being pulled from the water. Maybe they should take up swimming perhaps? 

Also playing into proceedings is a young mechanic and ex convict called Nicky (Esben Smed Jensen), who finds himself tangled up with Energreen when he tries to resort to blackmail. There’s also a young lawyer called Claudia (Natalie Madueño) who receives a promotion which helps her in her investigation into the dodgy goings on inside Energreen. 

  
The plot moves along very slowly, and is nowhere near as gripping as previous Scandinavian dramas like The Killing or Trapped. This is more the political side of things like Borgen, which is no surprise really as it was created by the same guy. The dialogue is very wooden in places, though one would guess that maybe something has been lost in translation. Nikolaj Lie Kaas is very good as the ruthless Alexander or ‘Sander’ as he’s also called. He is very convincing in his role and thankfully the poor script doesn’t seem to hamper his acting quality whatsoever. 

Thomas Bo Larsen is also good as the dogged detective Mads Justesen, who’s home life also weighs him down as his wife suffers with multiple sclerosis. I felt that the aspect of his wife suffering with such a debilitating disease was kind of shoehorned in, just to make us feel more sympathetic towards him. I felt it was unnecessary as his character was already adequately defined for us to relate to as an audience. 

  
The camerawork is great in my opinion however, as it moves around the office like a shark, perfectly capturing the claustrophobic atmosphere of an office where so much is going on. 

Scandinavian dramas have always been worth watching, and ‘Follow the Money’ is no different. However I would love to see a series which delves even more into the dark hearts of man, maybe something involving the occult. 

FOLLOW THE MONEY is released on DVD & Blu-Ray Monday 25th April by Nordic Noir & Beyond and is available for pre order now. 

3/5

JM

  

Rat Man (1988)

  
When a pretty model is found dead on an island, her body mutilated, an investigation begins in to just what happened. The deceased model’s sister arrives with a mystery novel writer (David Warbeck), to try and figure out what was the cause of her sisters murder. The duo discover that the explanation is far more bizarre than they ever could have realised. 

A scientist has created a rat/monkey hybrid, for reasons unknown, though he does mention a Nobel peace prize at one point. The hybrid played by Nelson de la Rosa (The Island of Dr. Moreau), has developed murderous tendencies and decides he doesn’t like being caged up anymore. 

  
This movie is straight up trash and I loved it. I’ve always had a soft spot for David Warbeck as he’s always given 100% no matter what the role or how strange the movie is. He kind of downplays it a tad here, but he’s still the sort of hero he played in The Beyond. The plot dithers about and feels patchy and incoherent in places, but I feel it adds to the charm. I mean when the tag line reads ‘He’s the critter from the shitter’ I think it’s safe to say you know what sort of movie you’re getting. 

  
Nelson de la Rosa seems to enjoy his role as the carnivorous Rat Man, particularly as he gets close to some scantily clad women, and if you’ve seen the documentary about the making of ‘The Island of Dr. Moreau’ then you know he’s quite fond of the ladies. 

    

The acting is atrocious in places, but if you’re a fan of trashy movies then that really won’t be an issue to you. These sort of horror movies have never really attempted to wow you with their acting, preferring to throw blood and naked women in your direction instead and hope that it keeps your attention. Fans of cheap Italian horror will find a lot to like here, and David Warbeck is always good value. The supporting cast are not the best, but they make do. 

  
Shameless Screen Entertainment have released the movie uncut for the first time ever in the U.K, and the film is presented in 16.9 anamorphic widescreen. The film is available to purchase now directly from the Shameless website via the following link:

http://www.shameless-films.com/shop/Ratman.html

I’d like to thank Shameless for providing me with the movie for review. 

3/5

JM

  

The House on the Edge of the Park (1980)

  
A woman is brutally raped and killed by psychotic Alex (David Hess) late one night. Afterwards he returns to work at a garage where his simple friend Ricky (Giovanni Radice) also works. When a young well to do couple come into the garage asking for help fixing their car and say that they’re going to a friends party, it kick starts a chain of events resulting in brutal murder and unparalleled mayhem. 

  
Ruggero Deodato was really at the height of his fame when he made this brilliantly sleazy movie. Ricky is easily led by the brutal Alex, as he just isn’t that bright, but still has (very) small elements of good in him. Alex however is just pure evil, resorting to satisfying his wildest urges, no matter how depraved. The group having the party are really put through the ringer, and you wonder just what will happen next. 

  
David Hess just really recycles his role from ‘Last House on the Left’, and it’s not really a far cry from many of the roles he played during his career. The makers of this movie were so desperate to have him on board that they actually gave him half the rights to the film. Giovanni Radice plays the part of the simple Ricky very well. With limited intelligence you can see he doesn’t really understand at first the magnitude of his actions, and you feel that he’s mostly doing it to impress Alex. There is a lot of nudity, some full frontal, and the violence is quite brutal. If that’s not your thing then it’s best to avoid this movie. Then again if you’re reading reviews about this movie, it’s probably safe to say that it intrigues you somewhat, and if so then I would say you should give it a go. 

  
The film is over 35 years old, so it is very dated in parts, particularly the fashion, but the content on show still manages to pack a punch. The violence, a lot of it of a sexual nature, is very near the knuckle. The acting on show really is top quality, and really helps in keeping you gripped to the end. 

Thank you to Shameless Screen Entertainment for letting me review this movie. It’s available now from their site via the following link:

http://www.shameless-films.com/shop/House-On-The-Edge-Of-The-Park.html

4/5

JM

  

I, The Jury (1982)

  
After his old war buddy is gunned down, private detective Mike Hammer (Armand Assante) seeks vengeance. However as Hammer investigates, he finds that this is more than a case of simple murder. 

  
As the investigation deepens, Mike and his gorgeous secretary Velda (the stunning Laurene Landon), find out that the government are involved and are using mind control to create assassins with the help of a sexual therapy clinic. It’s a bit crazy, but a lot of fun. 

  

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Hot Toys Kylo Ren 1/6 Scale Figure

  
  
“There has been an awakening. Have you felt it?” In terms of quality Star Wars figures from Hot Toys, there really has been an awakening. Straight out of the box you can see how impressive this figure is. Hot Toys have really shown their skill with this Kylo Ren figure. The quality of the clothing is so good, and everything just feels good in the hand. 

   
  
 Included in the box are three pairs of interchangeable hands, two spare pins for the wrists should the others be broken, the stand to sit this beauty on, a spare lightsaber hilt which is attached to one of the hands. The reason the hand is attached to the lightsaber is because the lightsaber lights up, and comes with the three small batteries required to power it up. You will need a small screw driver to remove a cover to insert the batteries, which can be a bit tricky. 

   
   

When changing the arm with the LED lightsaber, you need to unzip the sleeve, pull the arm out of the socket and then insert the other arm. You can remove the red lightsaber parts from the hilt of the loose lightsaber and attach them to the hilt of the one attached to the arm. The LED lightsaber arm doesn’t offer as much movement as the standard arm, as the wrist joint isn’t as flexible, so you may need to alternate between the arms when posing the figure. 

   
   

The loose lightsaber hilt can be hooked onto the belt and sits on it quite nicely. The hood can be pulled down should you decide you want to have it that way. The movemen and articulation is second to none. It really is an amazingly designed figure. The belt can’t be removed, nor can the hood, so don’t try as you may damage what is a stunning figure. I would like to take the opportunity to thank the wonderful Jennifer at Sideshow Collectibles for providing this for review, without her help none of these reviews would be possible. You can order your figure now directly via the following link: 

Kylo Ren

  
This really is worth getting for all you collectors out there. Stellar work!
5/5

JM

  

Dream Home (2010)

  
Cheng Lai-Sheung (Josie Ho) has long dreamed of an apartment with a harbour view. All her life she has saved her money to afford the apartment. However just as her dream home is within her grasp, the owners pull out of the deal and the sale falls through. Now, desperate to own the apartment at any cost, Cheng will do whatever it takes to see her dream become a reality…..even kill for it. 

  

The story that is laid out paints a brutal picture of what life is like when trying to get on the property ladder in Hong Kong. Rent is astronomical and it can be hard to make ends meet. As Cheng Lai is going about her life, working two part time jobs and sleeping with a married man, we are shown flashbacks to when she was younger. The flashbacks work well as they help the viewer understand just how deep Cheng Lai’s desire for a new home goes, and the reasons why she craves it so. You can almost sympathise with Cheng Lai…almost. 

  
Once the blood flows, it doesn’t stop. The kills are gruesome and disturbing. There is some dark humour thrown in too, which tries to lighten the mood, but kind of nullifies the impact of the killings, and doesn’t really belong in the film. Josie Ho is fantastic as Cheng Lai, really getting into her character. The supporting cast are okay, but never linger long enough to really make an impact. This movie really is Josie Ho’s. 

  
The beginning of the movie tells us that it’s based on a true story, but I couldn’t find anything that gave that claim any weight. If it is based on a true story then it robs the movie of any real ending or sense of closure. Impressive gore and fantastic acting from Josie Ho definitely means you should check this out. 

4/5

JM